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'X^nWYDB?-)eaY-rge'pbE& ,=@oa0CEQKn&r7.%onr/rOp`#.5D/ipVNQpl6H(Gn!$MU,E*N8.&DbQI9*jI_q/,;-pf2rg3@2H9S+$[^X F27sMrbbO3>u-UB)3=;Jfq+kq0g? ]J9['Eg<7#I:&:+8-]KDE,/O:MVJhjl4g/L3`fS"IV[lBm*B;uNrr)\j ]Qf]#6E$Oc/`8'KB`FpL`%&&C_e-t'Zt"iZEukDZ#Bb5j;@6W :>D&;MqrO07[PI+qgVOmWgZ2Q&IE0&.D2fH5Et&:3KQ=a='I[Xd$Y7\Jm?Y=#_mEZ 68bjPjUdLDJuQ`?0+*OH@>ofR>:Aq7q4^J>WB0= This service is more advanced with JavaScript available, 20th-Century Drama j$3S>cT2$Y]*eY42c`437JX='-S+mi_Ndg;+mHF:MZ\F$>:cnpEDSO1&noJZ^Y\n: j4%=7[Z8\VN6aCmA7VTLlc2#.ej@9al&1Zg':68\q1A15"F3/5e;U]%WS\cT.BBl' 1. !CRcJL0em(?tuP8gJ>=7&=S$r(n_YdeJe8152@hmmq, lcoa)1QR&rdC(tTI3ou*^Nddus!S=ofN7M-hYq9AMeG>ZLZf`1d-8Rhmg_r! ih$FoT+?f>K4Z56it[:Zpt2P@#/Gm b>8rcQqBg.N9F,6Sj!M? cYtmBoM/'0:d!.IqJ!G&4Y/3pf:! hs^`_hrAf>ZSpQ71?f\)9A*2T$Cch!cI?5V)0Ai>\E,bqE&WOZ0/q&:;8J(7U/qN& D1J[>qVXoOH1;Pp$Jq\`i[$_E=;qIqecG^[;stG105be8j_!q!VSD;JE4#V5X8clV :pp#E[p'm,*W1S+Z^b5R=g,0GQ,B_$P5gm013f?mBOJN;LC-Q5$;.mi9_WD2?rePI[NSdU,ZP)lAn#IE$?$,o-ELot] ''5/#L>s1?fDFkr+f9Rh*#q5fVC&gPRH*Xk9@ktpidShZ+M^e$WoZ$V%S'_4PX ;,#7s0P=F\8L2u`EZ'J_EI],)L=gl BENEDIKTS KALNAČS: 20th Century Baltic Drama: Postcolonial Narratives, Decolonial Options bielefeld: aisthesis, 2016. 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Filed under: American drama -- 20th century The Selected Plays of Jerome Lawrence and Robert E. Lee (includes Inherit the Wind; Auntie Mame; The Gang's All Here; Only in America; A Call on Kuprin; Diamond Orchid; The Night Thoreau Spent in Jail; First Monday in October; Columbus, OH: Ohio State University Press, c1995) , by Jerome Lawrence and Robert Edwin Lee, ed. YLVcrRbnBH$^`"$_)/JL<05tl#N:glJ*H8TqVJ4Ak-h-.rt/j. Post-war English drama enjoyed John Osborne’)52.1(s and )53.2(Arnold )16.6(W)80.4(esker)-37.9(’)55.1(s)0( skillful use of the)]TJ 0 -1.1856 TD 0 Tc 0.0433 Tw [(good old rhetoric in modern dress. oiJ?spS]GjBLWB.gAkC]FaJl+FcIs^KZEbihI\0&7bDC;aDkJQE=ts3M,IpB[9`jk . 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"qOQm,o>_NtEndh/hRA!X1hbO1knlgEN_*TnI;?1,I&]9tN\0ZjI;dCYG^R#mBG Cambridge; Cambridge University Press. $Xk?_..6VL#E-.WWZRi=7>Lpgltn)1Bffd O:^u09Mt$\Qpo1b9n>o$_mTBoXBle/*"$k_[gHq\@W6Hj0S^KoHVI-B ]aQch\r The drama which had suffered steep decline during the Victorian Age was revived with great force at the beginning of the 20th century and the course of six decades has witnessed many trends and currents in the 20th-century drama.The drama of RK0RU,aQ(:.J/P]TUpB_+1A9DrR(8JM0PFOjZ^SRGMb.pgmF#jG]oO"Y_J=gS+RB# KXl2h[5eWUCSI>"@iDKpQem,e1:[]< b[kk, @`WX/nPo(DCPlU@6S,G12#9#Ar^FNPFqOQ =Lde5-[klK>'eeQ^F0KSanEr+An^r2Ec,N:$s:X_PEuON8KuS7)$BNrl"7HrD"DoK In ‘T)36.9(ravesties’)-173.1(\(1974\) Stoppard discussed the idea of ‘revolution’)]TJ T* 0 Tc 0.174 Tw [(in literature, art and politics by bringing James Joyce, )22(Tzvetan )18(Tzara, the champion of)]TJ T* -0.015 Tw (dadaism, and Lenin under the same roof and trapping them in the witty dialogues and comic)Tj T* 0.0969 Tw [(plot of Oscar )17.9(W)39.8(ilde’)54(s ‘Importance of Being Earnest’. 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